I always sought comfort in routine and control. Over time, I learned that it was a way of coping and compensating for things out of my hands.
In my first series after college, I used elements from my childhood like dolls, rabbits, bears, etc., as a subconscious attempt to surround myself with the comfortable and familiar as I navigated the art scene where everything was new to me.
After a while, I started to incorporate statues in my artworks—another familiar element owed to my fine arts education. The more pieces I added to my statues-in-nature series, the more I seemed to find my balance. I admire the man-made and natural combination—the beauty imprisoned in stone and the beauty in the unbound. It became the theme in most of my works. I focused on arranging the elements in a way that was beautiful in my eyes. I believe that humans surround themselves, strive to be a part of, and want to possess those we find beautiful because it is in these things where we see the ideal qualities that we aspire to have. Looking back, I now understand that my admiration of statues in different settings was my own desire to be as safe and unmoving as these marble figures despite the ever-changing environment that surrounds them—to be in control.
Today as the pandemic continues to surge, I learn how there’s so much more that we have no control over. I feel unsafe as I see the increasing number of cases each day and as I hear of another person’s passing—a family member or a stranger. I feel agitated knowing that I have no control over the safety of the people I love. And even my small world that I have created and controlled through art started to suffer. What was supposed to be a haven for me started to become my source of unease as I lost equilibrium. When the pandemic started, I began to include self-portraits in my works. Seeing myself in places different from our reality restored some comfort in me.
The series of studies that I have planned for this project will also include self-portraits. Instead of a means to escape, I aim for my works to depict acceptance. Believing that lack of control was a form of failure made me overlook the strength and wisdom in acceptance. I applied control in as many aspects of my life as possible and lacked the ability to accept. I lose my peace over things I have no control over.
About the Artist
Renee Avila was born in Quezon City, Philippines in 1996. Having grown up in a city with limited exposure to green spaces, she both admired and longed for nature. Her hobby of creating nature-inspired drawings developed further when she took a Bachelor's Degree in Painting at the University of Santo Tomas in Manila. After graduating, she joined various group exhibitions in different galleries. For Renee, art is more than just a creative venue; it serves as her safe space where she can explore intimacy and the different states of the human mind. Aiming to portray the calm beauty that can result from opposing elements, her oil paintings revolve around the concept of merging the motionless art made by man and the ever-changing creations of nature. Many of her paintings are inspired by classical sculptures and the works of William-Adolphe Bouguereau. Renee won 3rd place in the “Kulayan ang Ganda ng Pilipinas” Robinsons Land Corp. National Competition in 2018.